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During a Ngetunogh ceremony, the mother of a Pokot initiate sings and dances holding high the cowhorn container she used to smear fat over the masks of her son and other boys as a blessing
At the start of a Ngetunogh ceremony, the mothers of Pokot initiates will smear animal fat on the boys masks as a blessing
A Pokot woman wearing the traditional beaded ornaments of her tribe which denote her married status. The Pokot are pastoralists speaking a Southern Nilotic language
Pokot men, women and girls dancing to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language
Pokot women and girls dancing to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language
A Pokot woman in traditional attire dances to celebrate an Atelo ceremony. Her broad belt is made with the metacarpus and metatarsal bones of dikdiks interspersed with beads
A Pokot warrior wearing a leopard skin jumps high in the air surrounded by women to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language
A Pokot warrior wearing a cheetah skin jumps high in the air surrounded by young women to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language
Two young Datoga boys. The youngest wears metal bells around his ankles to ensure that he does not wander far from home without his mother or another member of the family hearing him
A young Datoga boy attired in beads. The metal bells worn around his ankles ensure that he does not wander far from home without his mother or another member of the family hearing him
A Wa-Arusha warrior carries home a yoke. His brown necklace is made from aromatic wood. The Wa-Arusha are closely related to the Msai and speak the same _maa language
A Msai woman in traditional attire. The preponderance of white glass beads in her ornaments denotes that she is from the Kisongo section of the Msai, the largest clan group
Msai youth with decorated faceBlack clothing and the intricate white patterns on the face of this Msai youth of the Kisongo section signify his recent circumcision
A Samburu initiate with bird skins hanging from his headband. While their wounds heal for a month after circumcision, initiates spend their time wandering in the countryside attempting to kill as
A Samburu initiate takes aim at a bird with a blunt arrow. While their wounds heal for a month after circumcision, initiates spend their time wandering in the countryside attempting to kill as many
A Samburu mother shaves her sons head outside her home the day before he is circumcised. Round her neck hangs his nchipi - the distinctive decoration of every boy who participates in the circumcision
Mothers rub animal fat into their sons cloaks to make them supple. This task is performed shortly before the boys set out on an arduous journey to collect sticks, staves and gum to make bows
A Samburu youth is forcibly restrained after throwing a fit in the tension-filled days leading up to his circumcision. It is not uncommon for Samburu youths and warriors to succumb to hysterical
A Turkana woman sitting in the doorway of her hut. Her heavy mporro braided necklace identifies her as a married woman. Typical of her tribe
A Turkana woman, typically wearing many layers of bead necklaces and a series of hooped earrings with an pair of leaf-shaped earrrings at the front, sits in the entrance to her hut
Gabbra women sing and dance to celebrate a wedding. The traditional metal ornamentation on their heads is called malmal
Two Samburu warriors resplendent with long Ochred braids and beaded ornaments relax in typical pose beside a river bank
A Msai warrior blows a trumpet fashioned from the horn of a Greater Kudu. The strap is decorated with cowrie shells. Kudu-horn trumpets are only sounded to call men to arms or on ceremonial occasions
A back view of a Msai warrior resplendent with long ochred braids tied in a pigtail. This singular hairstyle sets him apart from other members of his society
A Samburu warrior has his Ochred hair braided by a friend. A mixture of cows urine and ashes is often rubbed into the hair first to help straighten it
A young Samburu man leads a donkey carrying the basic structure of a temporary home. The curved sticks will be tied together in a dome and covered with hides
Elaborate headdress and body adornments worn by Samburu moran (warrior)
Mobile safari in Kenya with Samburu moran warriors as game spotters
The contrasting leather aprons or skirts of two Nyag atom girls. The skirt on the left is richly decorated with metal and copper beads; the one on the right is embellished with thousands of small
Karo men excel in body art. They decorate their faces and torsos elaborately using local white chalk, pulverised rock and other natural pigments
