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An old Himba woman, upright despite her years, rides her donkey through harsh land where mid-day temperatures rise to 400C. Her body gleams from a mixture of red ochre, butterfat and herbs
Africa, Kenya, Kajiado District, Ol doinyo Orok. Three Msai warriors with long ochred hair wearing the traditional beaded belts of warriors
A Msai Warrior watches a hot air balloon float over the Mara plains
A Samburu warrior resplendent with long, braided, Ochred hair. The round ear ornaments of the warriors are fashioned from ivory
A Himba youth with his hair styled in a long plait, known as ondatu. Once married, he will split the ondatu into two plaits and keep them covered
Two happy Himba girls ride a donkey to market. Their bodies gleam from a mixture of red ochre, butterfat and herbs
A Himba woman milks a cow in the stock enclosure close to her home. Traditional milk containers made from hollowed wood are preferred to their modern equivalents
Himba women perform the otjiunda dance, stamping their feet, clapping and chanting while one of them gyrates in the centre of the circle
Africa, Kenya, Kajiado District, Ol doinyo Orok. A large gathering of Msai warriors during an Eunoto ceremony when the warriors become junior elders and thenceforth are permitted to marry
An old Turkana woman wearing all the finery of her tribe. In a hole pierced below her lower lip, she wears an ornament beautifully made from twisted strands of copper wire
Msai warriors draw water from a deep well. The depth of wells is measured by the number of men required to bring water to the cattle troughs at the top of them
A Msai warrior, his face and body decorated with red ochre and clay, wears an ostrich feather headdress
A Msai warrior with his long braids and body coated with red ochre mixed with animal fat. He has put ochre dust round his eyes to enhance his appearance ready for a dance
Detail of a Msai warriors ear ornaments and other beaded or metal adornments. The Msai practice of piercing ears in adolescence and gradually elongating the lobes is gradually dying out
A Msai warrior in full battle cry, his long-bladed spear at the ready
Kenya, Kajiado, lpartimaro. Two Msai warriors in full regalia. The headress of the man on the left is made from the mane of a lion while the one on the right is fringed with black ostrich feathers
Two Msai warriors in full regalia. The headdress of the man on the left is made from the mane of a lion while the one on the right is fringed with black ostrich feathers
Samburu warriors, spears in hand, jump into the air without bending their knees during one of their dance routines
A Hamar woman blows a tin trumpet at a Jumping of the Bull ceremony
Assisted by her husband
A Hamar mother and child moving home
A Hamar woman is left with bloody wheals
Towards the conclusion of a Ngetunogh ceremony, an initiate must put on his mothers jewellery for a day before removing the wild sisal face mask he has worn for 2-3 months
At the start of a Ngetunogh ceremony, the mothers of Pokot initiates will smear animal fat on the boys masks as a blessing
After 2-3 months seclusion, Pokot initiates leave their camp in single file to celebrate Ngetunogh
For two to three months after their circumcision, Pokot boys sing and dance in a special seclusion camp while undergoing instruction from tribal elders
Pokot men, women and girls dancing to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language
Pokot women and girls dancing to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language
Two young Pokot girls wearing traditional ornaments that denote their unmarried status. Their broad belts are made with the metacarpus and metatarsal bones of dikdiks interspersed with beads. Kenya
A Pokot warrior wearing a leopard skin jumps high in the air surrounded by women to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language
A Pokot warrior wearing a cheetah skin jumps high in the air surrounded by young women to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language
A Wa-Arusha warrior carries home a yoke. His brown necklace is made from aromatic wood. The Wa-Arusha are closely related to the Msai and speak the same _maa language
A Himba woman in traditional attire. Her body gleams from a mixture of red ochre, butterfat and herbs
A Msai warrior blows a trumpet fashioned from the horn of a Greater Kudu. The strap is decorated with cowrie shells. Kudu-horn trumpets are only sounded to call men to arms or on ceremonial occasions
A back view of a Msai warrior resplendent with long ochred braids tied in a pigtail. This singular hairstyle sets him apart from other members of his society
A month after a Samburu youth has been circumcised, he becomes a warrior. He will go to the nearest stream or Waterhole to wash off a months grime
A Samburu warrior has his Ochred hair braided by a friend. A mixture of cows urine and ashes is often rubbed into the hair first to help straighten it
Hamar women dance, sing and blow small tin trumpets during a Jumping of the Bull ceremony
